A scar isn't about the injury, it's about the healing.

— Daniel José Older

Bennie's corner of Brooklyn looked different every time Sierra passed through it. She stopped at the corner of Washington Avenue and St. John's Place to take in the changing scenery. A half block from where she stood, she'd skinned her knee playing hopscotch while juiced up on ices and sugar drinks. Bennie's brother, Vincent, had been killed by the cops on the adjacent corner, just a few steps from his own front door. Now her best friend's neighborhood felt like another planet. The place Sierra and Bennie used to get their hair done had turned into a fancy bakery of some kind, and yes, the coffee was good, but you couldn't get a cup for less than three dollars. Plus, every time Sierra went in, the hip, young white kid behind the counter gave her either the don'tt-cause-no-trouble look or the I-want-to-adopt-you look. The Takeover (as Bennie had dubbed it once) had been going on for a few years now, but tonight its pace seemed to have accelerated tenfold. Sierra couldn't find a single brown face on the block. It looked like a late-night frat party had just let out; she was getting funny stares from all sides--as if she was the out-of-place one, she thought. And then, sadly, she realized she was the out-of-place one.

— Daniel José Older

Crazy. It was the same word María and Tia Rosa flung at Grandpa Lazaro. The same word anyone said when they didn't understand something. "Crazy" was a way to shut people up, disregard them entirely.

— Daniel José Older

I love Carlos like the weird, half-dead son I never particularly wanted

— Daniel José Older

Maybe the word hasn’t been invented yet – that thing beyond diversity. We often define movements by what they’re against, but the final goal is greater than the powers it dismantles, deeper than any statistic. It’s something like equity – a commitment to harvesting a narrative language so broad it has no face, no name.

— Daniel José Older

Spirits flitted through the red-and-orange sky like leaves blown on the October wind. They dipped and darted over the brownstones and housing projects, swooped around the towering glass palaces, and dove into the crooked alleyways. Sierra smiled. The world had become so much more alive once she learned to see the dead. For a few moments, she just stood there, let herself be a spectator to the ever unfolding drama of city lights and spirits.

— Daniel José Older

The rain keeps starting and stopping like an anxious lover who doesn’t know if he should spend the night.

— Daniel José Older

There's a jangle to the music of the dead. I mean that certain something that's so happy and so sad at the same time. The notes almost make a perfect harmony, but don't. Then they do but quickly crash into dissonance. They simmer in that sweet in-between rhythm section rattling along all the while. Chords collapse chaotically into one another and just when you think it's going to spill into total nonsense, it stands back up and comes through sweet as a lullaby on your Miami's lips. Songs that'll make people tap their feet and drink melancholically but not realize the twisting genius lurking within until generations later.

— Daniel José Older

The sky grows dark over the city as Jana tells me her story. The beast was supposed to help their community. Something that would look good in a brochure, I suppose. But instead, it cut loose, took out in to the Williamsburg night. Jana and the kids went after it, and when they finally caught up what does it do? The thing ate a hipster.

— Daniel José Older