Michael Haneke
And I don't believe that children are innocent. In fact, no one seriously believes that. Just go to a playground and watch the kids playing in the sandbox! The romantic notion of the sweet child is simply the parents projecting their own wishes.
— Michael Haneke
Because I'm the author of my screenplays I know what I'm looking for. It's true that I can be stubborn in demanding that I get what I want, but it's also a question of working with patience and love.
— Michael Haneke
Drama lives on conflict. If you're trying to deal with social issues seriously, there's no way of avoiding violence, which is so present in society.
— Michael Haneke
Films for TV have to be much closer to the book, mainly because the objective with a TV movie that translates literature is to get the audience, after seeing this version, to pick up the book and read it themselves. My attitude is that TV can never really be any form of art, because it serves audience expectations.
— Michael Haneke
I do think that our perception of reality is fragmentary, and in 20th-century literature, it’s totally normal to not describe reality as something whole and completely transportable and explicable. That’s been accepted in novels. But genre films always pretend that reality is transportable, which means that it is explicable.
— Michael Haneke
I like the multiplicity of books, because each book is different in the mind of each reader. It's the same with this film - if 300 people are in a cinema watching it, they will all see a different film, so in a way there are thousands of different versions of "Cache (Hidden)". The point being that, despite what TV shows us, and what the news stories tell us, there is never just one truth, there is only personal truth.
— Michael Haneke
I'm lucky enough to be able to make films, and so I don't need a psychiatrist. I can sort out my fears and all those things with my work. That's an enormous privilege. That's the privilege of all artists, to be able to sort out their unhappiness and their neuroses in order to create something.
— Michael Haneke
I try to get closer to reality, to get close to the contradictions. The cinema world can be a real world rather than a dream world.
— Michael Haneke
My father and I had a good relationship, it was very relaxed. He had a lot of humor. He looked a little bit like me, although he had no beard. Furthermore, he had the appearance of a very elegant British-looking man.
— Michael Haneke
My films are intended as polemical statements against the American 'barrel down' cinema and its dis-empowerment of the spectator. They are an appeal for a cinema of insistent questions instead of false (because too quick) answers, for clarifying distance in place of violating closeness, for provocation and dialogue instead of consumption and consensus.
— Michael Haneke
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