An empty canvas is a living wonder... far lovelier than certain pictures.

— Wassily Kandinsky

(...) an inner feeling called "Swimming" by the Germans and best translated as sentiment (it is to be regretted that this word, sentiment, which is meant to describe the poetical efforts of an artist living soul, has been misused and finally, ridiculed. Was there ever a great word that the masses did not try immediately to cheapen and desecrate?) (...)

— Wassily Kandinsky

A painter, who finds no satisfaction in mere representation, however artistic, in his longing to express his inner life, cannot but envy the ease with which music, the most non-material of the arts today, achieves this end. He naturally seeks to apply the methods of music to his own art. And from this results that modern desire for rhythm in painting, for mathematical, abstract construction, for repeated notes of color, for setting color in motion.

— Wassily Kandinsky

Color directly influences the soul. Color is the keyboard, the eyes are the hammers, the soul is the piano with many strings. The artist is the hand that plays, touching one key or another purposively, to cause vibrations in the soul.

— Wassily Kandinsky

Color is a power which directly influences the soul.

— Wassily Kandinsky

Each color lives by its mysterious life.

— Wassily Kandinsky

Every work of art is the child of its age and, in many cases, the mother of our emotions. It follows that each period of culture produces an art of its own which can never be repeated.

— Wassily Kandinsky

Lend your ears to music, open your eyes to painting, and... stop thinking! Just ask yourself whether the work has enabled you to 'walk about' into a hitherto unknown world. If the answer is yes, what more do you want?

— Wassily Kandinsky

The artist must be blind to "recognized" and "unrecognized" form, deaf to the teachings and desires of his time. His open eyes must be directed to his inner life and his ears must be constantly attuned to the voice of inner necessity.

— Wassily Kandinsky

Those [things] that we encounter for the first time immediately have a spiritual effect upon us. A child, for whom every object is new, experiences the world in this way: it sees light, is attracted by it, wants to grasp it, burns its finger in the process, and thus learns fear and respect for the flame.

— Wassily Kandinsky