Jean-Marie G. Le Clézio
All words are possible, then, all names. They rain down, all these words, they disintegrate into a powdery avalanche. Belched from the volcano's mouth, they spurt in to the sky, then fall again. In the quivering air, like gelatin, the sounds trace their bubble paths. Can you imagine that?
— Jean-Marie G. Le Clézio
He who writes books that aim to convince is a comedian, too, just a comedian. What has he got to offer others, apart from chains, still more chains? Fiction never liberated anyone. No one ever brought anything back from voyages through dream worlds.
— Jean-Marie G. Le Clézio
Horror is not unimaginable, it has neither the face of a monster nor the bat-wings of a demon. It is calm and tranquil, and it is durable, lasting whole days and nights, months; years, perhaps. It is not mortal. Furthermore, it strikes at the eyes, only the eyes.
— Jean-Marie G. Le Clézio
I thought that to get to know a desert it was enough to have been there. I thought that to have seen the dogs dying along the Cholera road, or to have seen the eyes of the lepers at Chairman gave me the right to talk about it. To have seen! To have been there! Rubbish! The world is not a book, it proves nothing. The spaces one has crossed were dark corridors with closed doors. The faces of the women to whom one gave oneself up completely: did they speak for anyone but themselves? The cities of man are secret. One walks along their streets, one sees them shine under one's feet, but one is not there, one never enters them. The dusty fields inhabited by people who are hungry, who wait patiently, are paradises of luxury and nourishment; shining at a vast distance from intelligence, at a vast distance from reason. They are not to be subjugated.
— Jean-Marie G. Le Clézio
I wanted to write an adventure story, not, it's true, I really did. I shall have failed, that's all. Adventures bore me. I have no idea how to talk about countries, how to make people wish they had been there. I am not a good travelling salesman. Countries? Where are they, whatever became of them. When I was twelve I dreamed of Hong Kong. That tedious, commonplace little provincial town! Shops sprouting from every nook and cranny! The Chinese junks pictured on the lids of chocolate boxes used to fascinate me. Junks: sort of chopped-off barges, where the housewives do all their cooking and washing on deck. They even have television. As for the Niagara Falls: water, nothing but water! A dam is more interesting; at least one can occasionally see a big crack at its base, and hope for some excitement. When one travels, one sees nothing but hotels. Squalid rooms, with iron bedsteads, and a picture of some kind hanging on the wall from a rusty nail, a colored print of London Bridge or the Eiffel Tower. One also sees trains, lots of trains, and airports that look like restaurants, and restaurants that look like morgues. All the ports in the world are hemmed in by oil slicks and shabby customs buildings. In the streets of the towns, people keep to the sidewalks, cars stop at red lights. If only one occasionally arrived in a country where women are the color of steel and men wear owls on their heads. But no, they are sensible, they all have black ties, partings to one side, brassieres and stiletto heels. In all the restaurants, when one has finished eating one calls over the individual who has been prowling among the tables, and pays him with a promissory note. There are cigarettes everywhere! There are airplanes and automobiles everywhere.
— Jean-Marie G. Le Clézio
[M]a not literature (and, in particular, fiction) be considered a desperate and permanently thwarted effort to produce a unique form of expression? Something like a cry, perhaps, a cry that, somehow, inexplicably contains all the millions of words that have ever existed, anywhere, in any age. In contrast with the spoken word and its classifying function, the purpose of writing seems, rather, to be a quest for the egg, the seed, nothing more.
— Jean-Marie G. Le Clézio
Most people don't know how to ask the right questions. Mono knew how to ask questions, just at the right time, when you weren't expecting it. People paused for a few seconds, they stopped thinking about themselves and their own business, they thought, and their eyes seemed to blur, because they remembered asking those questions themselves, long ago.
— Jean-Marie G. Le Clézio
Nights are long when it's cold and you're waiting for a train.
— Jean-Marie G. Le Clézio
Real lives have no end. Real books have no end.
— Jean-Marie G. Le Clézio
The earth is neither fabulous nor Paradise. And therefore it is not hell.
— Jean-Marie G. Le Clézio
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