She'd always thought that a broken heart sounded rather romantic. But in truth it was physical. Her whole chest ached, as if she'd been struck with a knife. With all her witless calculations about how to make a man desire her, she'd never realized that the most important thing was to make him like her. Or even love her. What a fool she was.

— Eloisa James

She loathed her profile almost as much as she loathed the dress. If she didn't have to worry about people mistaking her for a boy--- not that they really did, but they couldn't stop remarking on the resemblance; at any rate, if she didn't have to worry about that--- she would never again wear pink. Or pearls. There was something dreadfully banal about the way the pearls shimmered. For a moment she distracted herself by mentally ripping her dress apart, stripping it of its ruffles and pearls and tiny sleeves. Given a choice, she would dress in plum-colored silk and sleek her hair away from her face without a single flyaway curl. Her only hair adornment would be an enormous feather--- a black one--- arching backward so it brushed her shoulder. If her sleeves were elbow-length, she could trim them with a narrow edging of black fur. Or perhaps swans down, with the same at the neck. Or she could put a feather trim at the neck; the white would look shocking against the plum velvet. That led to the idea that she could put a ruff at the neck and trim that with a narrow strip of swans down, It would be even better if the sleeves weren't opaque fabric but nearly transparent, like that new Indian silk her friend Lucinda had been wearing the previous night, and she would have them quite wide, so they billowed and gathered tight at the elbow. Or perhaps the wrist would be more dramatic....

— Eloisa James

She's elegant," Olivia stated. "I would kill to have her figure."" Really?"" Of course. I have always wished to look precisely like her. Though obviously, not enough to avoid food," she added." That's madness. You have everything she doesn't." Olivia opened her mouth, ready to argue. "Everything she hasn't." She frowned at him." Including me.

— Eloisa James

She sent Amelie to inform May drop that she donned an evening dress made of a heavy, supple olive green silk that gleamed under candlelight. It fell from the bodice, but rather than belling out, the silk was cut on the bias and hugged every curve of her body. The bodice was gathered under her breasts and trimmed with dark copper lace that glimmered with shiny black beads. And widened into short sleeves. Her hair was pulled straight back from her forehead without even a wisp floating at her ears, and she waved away the ruby necklace Amelie offered. She wanted no distraction from her face. She did, however, slide a sparkling ruby onto her right hand, a present she had given to herself when Rayburn Weavers made its first thousand guineas in profit. How better to remember that milestone than to wear a sizable percentage it on one's finger? Finally, Amelie drew out a small brush and skillfully applied a few strategic dabs of face paint. The last thing Theo wanted was to try to look conventionally feminine, but she'd discovered that a thin line of kohl made her eyes look deep and mysterious.

— Eloisa James

She still remembered sitting for hours as a little girl and pretending to be a hassock. A foot stool. Because if she could just stay very small, and very quiet, her mother would forget she was there, and then she wouldn't scream about people and places and things that had gone wrong.

— Eloisa James

She was everything he'd ever wanted in a woman, and nothing he'd ever thought to find in a lady.

— Eloisa James

Theo shook out the half square of heavy silk. "It will make all the difference to this insipid gown." With one sharp wrench she pulled out the lace fichu tucked into her bodice and replaced it with the scarf. It flashed raspberry red against the almond-colored muslin of her gown.

— Eloisa James

They continued on to London, and she's there, safe and sound, waiting for you.'' You can't know for sure.' Piers swung up into the carriage.' You will never know for sure if she's dead or alive unless you keep her near you all the time,' Sebastian said with perfect, if maddening, accuracy.

— Eloisa James

They were partners. She would always make impulsive decisions, and he would make slow, reasoned ones. He would always be a little terrified that she would look at him with the scorn he saw in his mother's eyes. And she would always be a little terrified that he would look at her and not love her enough. In short, they were made for each other.

— Eloisa James

Toward evening, Harriet found herself thinking the oddest thoughts: that twilight is not really dark. It's gray. The sun gone, the world turns gray, without emotion, without color. It seemed a fitting time for a little girl to slip free of all this pain, to let go.

— Eloisa James