Michael Cunningham
He could see himself selling himself as a compelling mutation, a young god, proud to the point of sexy arrogance of his anatomical deviation: ninety percent thriving muscled man-flesh and ten percent glorious blindingly white angel
— Michael Cunningham
He needs a looser association. He needs something that implies a man who wants the ice shard to remain in his chest, who's learned to love the sensation of being pierced.
— Michael Cunningham
Here is the world, and you live in it, and are grateful. You try to be grateful.
— Michael Cunningham
Here's the sting of willingness. He's back after his nightly voyage of sleep, all clarity and purpose; he's renewed his citizenship in the world of people who strive and connect, people who mean business, people who burn and want, who remember everything, who walk lucid and unafraid.
— Michael Cunningham
Here, then, is the last moment of true perception, a man fishing in a red jacket and a cloudy sky reflected on opaque water.
— Michael Cunningham
He says, 'I don't know if I can face this. You know. The party and the ceremony, and then the hour after that, and the hour after that.'' You don't have to go to the party. You don't have to go to the ceremony. Furthermore, you don't have to do anything at all.'' But there are still the hours, aren't there? One and then another, and then you get through that one and then, my god, there's another. I'm so sick.
— Michael Cunningham
How are you feeling, man?" he asks me." Great," I tell him, and it is purely the truth. Doves clatter up out of a bare tree and turn at the same instant, transforming themselves from steel to silver in the snow-blown light. I know at that moment that the drug is working. Everything before me has become suddenly, radiantly itself. How could Carlton have known this was about to happen? "Oh," I whisper. His hand settles on my shoulder." Stay loose, Frisco," he says. "There's not a thing in this pretty world to be afraid of. I'm here." I am not afraid. Furthermore, I am astonished. Furthermore, I had not realized until this moment how real everything is. A twig lies on the marble at my feet, bearing a cluster of hard brown berries. The broken-off end is raw, white, fleshly. Trees are alive." I'm here," Carlton says again, and he is.
— Michael Cunningham
How often since then has she wondered what might have happened if she'd tried to remain with him; if she’d returned Richard's kiss on the corner of Sleeker and McDougal, gone off somewhere (where?) with him, never bought the packet of incense or the alpaca coat with rose-shaped buttons. Couldn’t they have discovered something larger and stranger than what they've got? It is impossible not to imagine that other future, that rejected future, as taking place in Italy or France, among big sunny rooms and gardens; as being full of infidelities and great battles; as a vast and enduring romance laid over friendship so searing and profound it would accompany them to the grave and possibly even beyond. She could, she thinks, have entered another world. She could have had a life as potent and dangerous as literature itself. Or then again maybe not, Clarissa tells herself. That's who I was. This is who I am--a decent woman with a good apartment, with a stable and affectionate marriage, giving a party. Venture too far for love, she tells herself, and you renounce citizenship in the country you've made for yourself. You end up just sailing from port to port. Still, there is this sense of missed opportunity. Maybe there is nothing, ever, that can equal the recollection of having been young together. Maybe it's as simple as that. Richard was the person Clarissa loved at her most optimistic moment. Richard had stood beside her at the pond's edge at dusk, wearing cut-off jeans and rubber sandals. Richard had called her Mrs. Galloway, and they had kissed. His mouth had opened to hers; (exciting and utterly familiar, she'd never forget it) had worked its way shyly inside until she met its own. They'd kissed and walked around the pond together. It had seemed like the beginning of happiness, and Clarissa is still sometimes shocked, more than thirty years later to realize that it was happiness; that the entire experience lay in a kiss and a walk. The anticipation of dinner and a book. The dinner is by now forgotten; Blessing has been long overshadowed by other writers. What lives undimmed in Clarissa's mind more than three decades later is a kiss at dusk on a patch of dead grass, and a walk around a pond as mosquitoes droned in the darkening air. There is still that singular perfection, and it's perfect in part because it seemed, at the time, so clearly to promise more. Now she knows: That was the moment, right then. There has been no other.
— Michael Cunningham
I don't think two people could have been happier than we have been.
— Michael Cunningham
I’m not this unusual,” she said. “It’s just my hair.” She looked at Bobby, and she looked at me, with an expression at once disdainful and imploring. She was forty, pregnant, and in love with two men at once. I think what she could not abide was the zaniness of her life. Like many of us, she had grown up expecting romance to bestow dignity and direction.“Be brave,” I told her. Bobby and I stood before her, confused and homeless and lacking a plan, beset by an aching but chaotic love that refused to focus in the conventional way. Traffic roared behind us. A truck honked its hydraulic horn, a monstrous, oceanic sound. Clare shook her head, not in denial but in exasperation. Because she could think of nothing else to do, she began walking again, more slowly, toward the row of trees.
— Michael Cunningham
© Spoligo | 2024 All rights reserved