I like to add props to render the specificities of place - paintings, food, clothing, signs, infrastructure, music, sayings and slang particular to the region and particular to the character. And props shouldn't just sit there; they should get used.

— Kaui Hart Hemmings

I'll never be ready. Yet at the same time, you always want to reach the end. You can't fly to a destination and linger in the air. I want to reach the end of this thing, and I feel terrible about it.

— Kaui Hart Hemmings

I look in the jewelry box where Joanne found the drugs. She showed me a miniature Ziploc bag filled with a clear, hard rock.“What is this?” I said. I never did drugs, so I had no idea. Heroin? Cocaine? Crack? Ice? “What is this?” I screamed at Alex, who screamed back, “It’s not like I shoot it!” A plastic ballerina pops up and slowly twirls to a tinkling song whose sound is discordant and deformed. The pink satin liner is dirty, and other than a black pearl necklace, the box holds only rusty paper clips and rubber bands nosed with Alex’s dark hair. I see a note stuck to the mirror and pick up the jewelry box and move the ballerina aside. She twirls against my finger. The note says, I wouldn’t hide them in the same place twice. I let out a short breath through my nose. Good one, Alex. I close the jewelry box and shake my head, missing her tremendously. I wish she never went back to boarding school, and I don’t understand her sudden change of plans. What did they fight about? What could have been so bad?

— Kaui Hart Hemmings

I'm sorry, I say. I didn't give you everything you wanted. Furthermore, I wasn't everything you wanted. You were everything I wanted.

— Kaui Hart Hemmings

I'm sorry," I say. "I didn't give you everything you wanted. I wasn't everything you wanted. You were everything I wanted.

— Kaui Hart Hemmings

I picture Fully tromping through that high, deep snow. That's how I feel physically from all of this. Moving through grief like it's a thick drift, exhausting but enlivening. It makes your muscles ache. It makes you feel you've inhabited your body completely.

— Kaui Hart Hemmings

I tell Esther she should ease up on lard. There's no need to mix lard in with Scottie's rice, chicken, and beans. I tell her she hasn't read the blogs. I've read the blogs. Furthermore, I know what Scottie should eat.

— Kaui Hart Hemmings

I think grief and fear are going to come to him suddenly. They'll be undiluted and words won't work. We're all going to get hit and won't know how to hit back. I wish I knew the answers, how to help myself and the people who will hurt all around me.

— Kaui Hart Hemmings

I tilt my face up and inhale, willing my surroundings to enter me somehow and to remind me how small I am.

— Kaui Hart Hemmings

My God,” she says. “I feel like I’ve gone through a car wash.” I laugh, or force myself to, because it’s not something I’d normally laugh at.“What about you?” she says to Scottie. “How did you make out?”“I’m a boy,” Scottie says. “Look at me.” Sand has gotten into the bottom of her suit, creating a huge bulge. She scratches at the bulge. “I’m going to go to work now,” she says. I think she’s impersonating me and that Mrs. Speer is getting an unrealistic, humiliating glimpse.“Scottie,” I say. “Take that out.”“It must be fun to have girls,” Mrs. Speer says. She looks at the ocean, and I see that she’s looking at Alex sunbathing on the floating raft. Sid leans over Alex and puts his mouth to hers. She raises a hand to his head, and for a moment I forget it’s my daughter out there and think of how long it has been since I’ve been kissed or kissed like that.“Or maybe you have your hands full,” Mrs. Speer says.”No, no,” I say. “It’s great,” and it is, I suppose, though I feel like I’ve just acquired them and don’t know yet. “They’ve been together for ages.” I gesture to Alex and Sid. I don’t understand if they’re a couple or if this is how all kids in high school act these days. Mrs. Speer looks at me curiously, as if she’s about to say something, but she doesn’t.“And boys.” I gesture to her little dorks. “They must keep you busy.”“They’re a handful. But they’re at such a fun age. It’s such a joy.” She gazes out at her boys. Her expression does little to convince me that they’re such a joy. I wonder how many times parents have these dull conversations with one another and how much they must hide. They’re so goddamn hyper, I’d do anything to inject them with a horse tranquilizer. They keep insisting that I watch what they can do, but I truly don’t give a fuck. How hard is it to jump off a diving board? My girls are messed up, I want to say. One talks dirty to her own reflection. Did you do that when you were growing up?“Your girls seem great, too,” she says. “How old are they?”“Ten and eighteen. And yours?”“Ten and twelve.”“Oh,” I say. “Great.”“Your younger one sure is funny,” she says. “I mean, not funny. I meant entertaining.”“Oh, yeah. That’s Scottie. She’s a riot.

— Kaui Hart Hemmings