. . . [T]o live in an inspired condition, to know truth, to be free, to love another, to consummate existence, to abide with death in clarity of consciousness - without which, racing and conniving to evade death, the spirit holds its breath and hopes to be immortal because it does not live - is no longer a rarefied project. Just as machinery has embodied ideas of good, so the technology of destruction has also acquired a metaphysical character. The practical questions have thus become the ultimate questions as well. Annihilation is no longer a metaphor. Good and Evil are real. The inspired condition is therefore no visionary matter. It is not reserved for gods, kings, poets, priests, shrines, but belongs to mankind and to all existence.

— Saul Bellow

Unexpected intrusions of beauty. This is what life is.

— Saul Bellow

We Got in Frankish'' was the expression used by the Jews of Eastern Europe to describe perfect happiness. I puzzled over this simile for many years, and I think I can interpret it now. God would be perfectly happy in France because he would not be troubled by prayers, observances, blessings and demands for the interpretation of difficult dietary questions. Surrounded by unbelievers He too could relax toward evening, just as thousands of Parisians do at their favorite cafés. There are few things more pleasant, more civilized than a tranquil Terrassa at dusk.

— Saul Bellow

Well, there is a piece of famous advice, grand advice even if it is German, to forget what you can't bear. The strong can forget, can shut out history. Very good. Even if it is self-flattery to speak of strength--these aesthetic philosophers, they take a posture, but power sweeps postures away. Still, it's true you can't go on transposing one nightmare into another, Nietzsche was certainly right about that. The tender-minded must harden themselves. Is this world nothing but a barren lump of coke? No, no, but what sometimes seems a system of prevention, a denial of what every human being knows. I love my children, but I am the world to them, and bring them nightmares. I had this child by my enemy. And I love her. The sight of her, the odor of her hair, this minute, makes me tremble with love. Isn't it mysterious how I love the child of my enemy? But a man doesn't need happiness for himself. No, he can put up with any amount of torment--with recollections, with his own familiar evils, despair. And this is the unwritten history of man, his unseen, negative accomplishment, his power to do without gratification for himself provided there is something great, something into which his being, and all beings can go. He does not need meaning as long as such intensity has scope. Because then it is self-evident; it is meaning.

— Saul Bellow

What did Danton lose his head for, or why was there a Napoleon, if it wasn't to make a nobility of us all?

— Saul Bellow

What—in other words—would modern boredom be without terror? One of the most boring documents of all time is the thick volume of Hitler’s Table Talk. He, too, had people watching movies, eating pastries, and drinking coffee with Sch lag while he bored them, while he discoursed theorized expounded. Everyone was perishing of staleness and fear, afraid to go to the restroom. This combination of power and boredom has never been properly examined. Boredom is an instrument of social control. Power is the power to impose boredom, to command stasis, to combine this stasis with anguish. The real tedium, deep tedium, is seasoned with terror and with death. There were even profounder questions. For instance, the history of the universe would be very boring if one tried to think of it in the ordinary way of human experience. All that time without events! Gases over and over again, and heat and particles of matter, the sun tides and winds, again this creeping development, bits added to bits, chemical accidents—whole ages in which almost nothing happens, lifeless seas, only a few crystals, a few protein compounds developing. The tardiness of evolution is so irritating to contemplate. The clumsy mistakes you see in museum fossils. How could such bones crawl, walk, run? It is agony to think of the groping of the species—all this fumbling, swamp-creeping, munching, preying, and reproduction, the boring slowness with which tissues, organs, and members developed. And then the boredom also of the emergence of the higher types and finally of mankind, the dull life of paleolithic forests, the long, long incubation of intelligence, the slowness of invention, the idiocy of peasant ages. These are interesting only in review, in thought. No one could bear to experience this. The present demand is for a quick forward movement, for a summary, for life at the speed of intensest thought. As we approach, through technology, the phase of instantaneous realization, of the realization of eternal human desires or fantasies, of abolishing time and space the problem of boredom can only become more intense. The human being, more and more oppressed by the peculiar terms of his existence—one time around for each, no more than a single life per customer—has to think of the boredom of death. O those eternities of nonexistence! For people who crave continual interest and diversity, O! How boring death will be! To lie in the grave, in one place, how frightful!

— Saul Bellow

What is art but a way of seeing?

— Saul Bellow

What this means is not a single Tower of Babel plotted in common, but hundreds of thousands of separate beginnings, the length and breadth of America. Energetic people who build against pains and uncertainties, as weaker ones merely hope against them.

— Saul Bellow

Whenever I write a dramatic poem I can't understand why the characters should ever want to be anything but poets themselves.

— Saul Bellow

When we ask for advice, we are usually looking for an accomplice.

— Saul Bellow