A bit of theory as we settle down for lunch: the waiter's treatment of Kitty is actually a kind of sandwich, with the bottom bread being the bored and slightly effete way he normally acts with customers, the middle being the crazed and abnormal way he feels around this famous nineteen-year-old girl, and the top bread being his attempt to contain and conceal this alien middle layer with some mode of behavior that at least approximates the bottom layer of boredom and effeteness that is his norm.

— Jennifer Egan

A frenzy of activity that had mostly led him in circles: wasn't that a fairly accurate description of lust?

— Jennifer Egan

A frenzy of activity that had mostly led him in circles: wasn't that a fairly accurate description of lust? At times Bennie didn't even mind its disappearance; it was sort of a relief not to be constantly wanting to fuck someone. The world was unquestionably a more peaceful place without the half hard-on that had been his constant companion since the age of thirteen, but did Bennie want to live in such a world?

— Jennifer Egan

All that love, all that pain, all the stuff people feel – not just me and you, brother, but everyone, everyone who's ever walked this beautiful green planet – how can all that disappear when somebody dies? It can't disappear, it's too big. Too strong, too... permanent. So it moves to another frequency, where the human ear can't pick up.

— Jennifer Egan

And it may be that a crowd at a particular moment of history creates the object to justify its gathering, as it did at the first Human Be-In and Monterey Pop and Woodstock. Or it may be that two generations of war and surveillance had left people craving the embodiment of their own unease in the form of a lone, unsteady man on a slide guitar.

— Jennifer Egan

And then I notice the music flooding out of every part of the apartment at once — the couch, the walls, even the floor — and I know Bennies alone in Lou’s studio, pouring music down around us. A minute ago it was “Don’t Let Me Down”. Then it was Blondie’s “Heart of Glass”. Now it’s Iggy Pop’s “The Passenger”. Listening, I think, You will never know how much I understand you.

— Jennifer Egan

But Bennie knew that what he was bringing into the world was shit. Too clear, too clean. The problem was precision, perfection; the problem was digitization, which sucked the life out of everything that got smeared through its microscopic mesh. Film, photography, music: dead. An aesthetic holocaust! Bennie knew better than to say this stuff aloud.

— Jennifer Egan

But Phoebe loved her mother best as she was now, wistful, out-of-step, her laugh always tinged with sadness, as if things were only funny in spite of themselves.

— Jennifer Egan

Happened as I listened: I felt pain. Not in my head, not in my arm, not in my leg; everywhere at once. I told myself there was no difference between being “inside” and being “outside,” that it all came down to X’s and O’s that could be acquired in any number of different ways, but the pain increased to a point where I thought I might collapse, and I limped away.

— Jennifer Egan

Her only thought was of getting away, as if she were carrying a live grenade from inside the house, so that when it exploded, it would destroy just herself.

— Jennifer Egan