A child cannot quarrel with its elders, as I had done, cannot give its furious feelings uncontrolled play, as I had given mine, without experiencing afterward the pang of remorse and the chill of reaction. A ridge of lighted heath, alive, glancing, devouring, would have been a meet emblem of my mind when I accused and menaced Mrs. Reed: the same ridge, black and blasted after the flames are dead, would have represented as meekly my subsequent condition.

— Charlotte Brontë

All my heart is yours, sir: it belongs to you; and with you, it would remain, were fate to exile the rest of me from your presence forever.

— Charlotte Brontë

A lover finds his mistress asleep on a mossy bank; he wishes to catch a glimpse of her fair face without waking her. He steals softly over the grass, careful to make no sound; he pauses -- fancying she has stirred: he withdraws: not for worlds would he be seen. All is still: he again advances: he bends above her; a light veil rests on her features: he lifts it, bends lower; now his eyes anticipate the vision of beauty -- warm, and blooming, and lovely, in rest. How hurried was their first glance! But how they fix! How he starts! How he suddenly and vehemently clasps in both arms the form he dared not, a moment since, touch with his finger! How he calls aloud a name, and drops his burden, and gazes on it wildly! He thus grasps and cries, and gazes, because he no longer fears to waken by any sound he can utter -- by any movement he can make. He thought his love slept sweetly: he finds she is stone dead. I looked with timorous joy towards a stately house: I saw a blackened ruin.

— Charlotte Brontë

A man is master of himself to a certain point, but not beyond it. -William Ainsworth

— Charlotte Brontë

Amid the worry of a self- condemnatory soliloquy, his demeanor seemed grave, perhaps cold, both to me and his mother. And yet there was no bad feeling, no malice, no rancor, no littleness in his countenance, beautiful with a man's best beauty, even in its depression. When I placed his chair at the table, which I hastened to do, anticipating the servant, and when I handed him his tea, which I did with trembling care, he said: "Thank you, Lucy," in as kindly a tone of his full pleasant voice as ever my ear welcomed.

— Charlotte Brontë

And as for the vague something --- was it a sinister or a sorrowful, a designing or a responding expression? --- that opened upon a careful observer, now and then, in his eye, and closed again before one could fathom the strange depth partially disclosed; that something which used to make me fear and shrink, as if I had been wandering amongst volcanic-looking hills, and had suddenly felt the ground quiver, and seen it gape: that something, I, at intervals, beheld still; and with throbbing heart, but not with palsied nerves. Instead of wishing to shun, I longed only to dare --- to divine it; and I thought Miss Ingram happy, because one day she might look into the abyss at her leisure, explore its secrets and analyze their nature.

— Charlotte Brontë

And it is you, spirit--with will and energy, and virtue and purity--that I want, not alone with your brittle frame.

— Charlotte Brontë

And what is hell? Can you tell me that?”“A pit full of fire.”“And should you like to fall into that pit, and to be burning there forever?”“No, sir.”“What must you do to avoid it?” I deliberated a moment; my answer, when it did come, was objectionable: “I must keep in good health, and not die.

— Charlotte Brontë

And who cares for imagination? Who does not think it is a rather dangerous, senseless attribute, akin to weakness, perhaps partaking of frenzy - a disease rather than a gift of the mind? Probably all think it so but those who possess, or fancy they possess it. To hear them speak, you would believe that their hearts would be cold if that elixir did not flow about them, that their eyes would be dim if that flame did not refine their vision, that they would be lonely if this strange companion abandoned them. You would suppose that it imparted some glad hope to spring, some fine charm to summer, some tranquil joy to autumn, some consolation to winter, which you do not feel. All illusion, of course; but the fanatics cling to their dream, and would not give it for gold.

— Charlotte Brontë

And who talks of error now? I scarcely think the notion that flittered across my brain was an error. I believe it was an inspiration rather than a temptation: it was very genial, very soothing—I know that. Here it comes again! It is no devil, I assure you; or if it is, it has put on the robes of an angel of light. I think I must admit so fair a guest when it asks entrance to my heart.”“Distrust it, sir; it is not a true angel.”“Once more, how do you know? By what instinct do you pretend to distinguish between a fallen seraph of the abyss and a messenger from the eternal throne—between a guide and a seducer?”“I judged by your countenance, sir, which was troubled when you said the suggestion had returned upon you. I feel sure it will work you more misery if you listen to it.”“Not at all—it bears the most gracious message in the world: for the rest, you are not my conscience-keeper, so don’t make yourself uneasy. Here, come in, bonny wanderer!” He said this as if he spoke to a vision, viewless to any eye but his own; then, folding his arms, which he had half extended, on his chest, he seemed to enclose in their embrace the invisible being.“Now,” he continued, again addressing me, “I have received the pilgrim—a disguised deity, as I verily believe. Already it has done me good: my heart was a sort of channel; it will now be a shrine.

— Charlotte Brontë