Paranoia, he said, was fundamentally egocentric, and every conspiracy theory served in some way to aggrandize the believer. But he was also fond of saying, at other times, that even paranoid schizophrenics have enemies.

— William Gibson

People who couldn't imagine themselves capable of evil were at a major disadvantage in dealing with people who didn't need to imagine, because they already were. She'd said it was always a mistake, to believe those people were different, special, infected with something that was inhuman, subhuman, fundamentally other. Which reminded her of what her mother had said about Cornell Picket. That evil wasn't glamorous, but just the result of ordinary half-assed badness, high school badness, given enough room, however that might happen, to become its bigger self. Bigger, with more horrible results, but never more than the cumulative weight of ordinary human baseness.

— William Gibson

Rain woke him, a slow drizzle, his feet tangled in coils of discarded fiber optics. The arcade's sea of sound washed over him, receded, returned. Rolling over, he sat up and held his head.

— William Gibson

Secrets...are the very root of cool.

— William Gibson

She'd first seen Covent Garden after a heavy snow, walking with her hand in Win's, and she remembers the secret silence of London then, the amazing hush of it, slush crunching beneath her feet and the sound made by trapezoidal sections of melting snow falling from wires overhead. Win had told her that she was seeing London as it had looked long ago, the cars mostly put away, and the modern bits shrouded in white, allowing the outlines of something older to emerge. And what she had seen, that childhood day, was that it was not a place that consisted of buildings, side by side, as she thought of cities in America, but a literal and continuous maze, a single living structure (because still it grew) of brick and stone.

— William Gibson

She held out her hands, palms up, the white fingers lightly spread, and with a barely audible click, ten double-edged, four-centimeter scalpel blades slid from their housings beneath the burgundy nails. She smiled. The blades slowly withdrew.

— William Gibson

She hung up before he could say goodbye. Stood there with her arm cocked, phone at ear-level, suddenly aware of the iconic nature of her unconscious pose. Some very considerable part of the gestural language of public places, that had once belonged to cigarettes, now belonged to phones.

— William Gibson

She is increasingly of the opinion that worrying about problems doesn't help solve them, but she hasn't really found an alternative yet. Surely you can't just leave them there.

— William Gibson

She looks after him, feeling a wave of longing, loneliness. Not sexual particularly but to do with the nature of cities, the thousands of strangers you pass in a day, probably never to see again.

— William Gibson

She's right, Kate's right, I'm right and you're wrong. If you drive her away from here it will be over my dead— chair, has it never occurred to you at on one occasion you might be consummately wrong?

— William Gibson