I wanted to go on sitting there, not talking, not listening to the others, keeping the moment precious for all time, because we were peaceful all of us, we were content and drowsy even as the bee who droned above our heads. In a little while it would be different, there would come tomorrow, and the next day and another year. And we would be changed perhaps, never sitting quite like this again. Some of us would go away, or suffer, or die, the future stretched away in front of us, unknown, unseen, not perhaps what we wanted, not what we planned. This moment was safe though, this could not be touched. Here we sat together, Maxim and I, hand-in-hand, and the past and the future mattered not at all. This was secure, this funny little fragment of time he would never remember, never think about again… For them, it was just after lunch, quarter-past-three on a haphazard afternoon, like any hour, like any day. They did not want to hold it close, imprisoned and secure, as I did. They were not afraid.

— Daphne du Maurier

I wondered how many people there were in the world who suffered, and continued to suffer, because they could not break out from their own web of shyness and reserve, and in their blindness and folly built up a great distorted wall in front of them that hid the truth.

— Daphne du Maurier

I wondered straightaway how he could sit at peace there, of an evening, with the row of heads staring down at him. There were no pictures, no flowers: only the heads of chamois. The concession to melody was the radiogram and the stack of records of classical music. Foolishly, I had asked, "Why only chamois?" He answered at once, "They fear Man." This might have led to an argument about animals in general, domestic, wild, and those which adapt themselves to the whims and vagaries of the human race; but instead he changed the subject abruptly, put on a Sibelius record, and presently made love to me, intently but without emotion. I was surprised but pleased. I thought, "We are suited to one another. There will be no demands. Each of us will be self-contained and not beholden to the other." All this came true, but something was amiss. There was a flaw - not only the nonappearance of children, but a division of the spirit. The communion of flesh which brought us together was in reality a chasm, and I despised the bridge we made. Perhaps he did as well. I had been endeavoring for ten years to build for my self a ledge of safety. ("The Chamois")

— Daphne du Maurier

I wondered why it was that places are so much lovelier when one is alone. How commonplace and stupid it would be if I had a friend now, sitting beside me, someone I had known at school, who would say: “By-the-way, I saw old Hilda the other day. You remember her, the one who was so good at tennis. She’s married, with two children.” And the bluebells beside us unnoticed, and the pigeons overhead unheard. I did not want anyone with me. Not even Maxim. If Maxim had been there I should not be lying as I was now, chewing a piece of grass, my eyes shut. I should have been watching him, watching his eyes, his expression. Wondering if he liked it, if he was bored. Wondering what he was thinking. Now I could relax, none of these things mattered. Maxim was in London. How lovely it was to be alone again.

— Daphne du Maurier

I would have gone too, but I wanted to come straight back to you. I kept thinking of you, waiting here, all by yourself, not knowing what was going to happen.

— Daphne du Maurier

Last night I dreamt I went to Mannerly again.

— Daphne du Maurier

Last night I dreamt I went to Mannerly again. It seemed to me I stood by the iron gate leading to the drive, and for a while I could not enter for the way was barred to me. There was a padlock and a chain upon the gate. I called in my dream to the lodge-keeper, and had no answer, and peering closer through the rusted spokes of the gate I saw that the lodge was uninhabited. No smoke came from the chimney, and the little lattice windows gaped forlorn. Then, like all dreamers, I was possessed of a sudden with supernatural powers and passed like a spirit through the barrier before me. The drive wound away in front of me, twisting and turning as it had always done, but as I advanced I was aware that a change had come upon it; it was narrow and unkempt, not the drive that we had known. At first, I was puzzled and did not understand, and it was only when I bent my head to avoid the low swinging branch of a tree that I realized what had happened. Nature had come into her own again, and, little by little, in her stealthy, insidious way, had encroached upon the drive with long, tenacious fingers. The woods, always a menace even in the past, had triumphed in the end. They crowded, dark and uncontrolled, to the orders of the drive. The beeches with white, naked limbs least close to one another, their branches intermingled in a strange embrace, making a vault above my head like the archway of a church. And there were other trees as well, trees that I did not recognize, squat oaks and tortured elms that straggled cheek by jowl with the beeches, and had thrust themselves out of the quiet earth, along with monster shrubs and plants, none of which I remembered surely the miles had multiplied, even as the trees had done, and this path led but to a labyrinth, some choked wilderness, and not to the house at all. I came upon it suddenly There was Mannerly secretive and silent as it had always been, the gray stone shining in the moonlight of my dream, the mullioned windows reflecting the green lawns and the terrace. Time could not wreck the perfect symmetry of those walls nor the site itself, a jewel in the hollow of a hand.” Daphne du Maurier, Rebecca, 1938.

— Daphne du Maurier

Living as we do in an age of noise and bluster, success is now measured accordingly. We must all be seen, and heard, and on the air.

— Daphne du Maurier

Looking from the window at the fantastic light and color of my glittering fairy-world of fact that holds no tenderness, no quietude, I long suddenly for peace, for understanding.

— Daphne du Maurier

Maxim's voice, clear and strong, "Will someone take my wife outside? She is going to faint.

— Daphne du Maurier