Those dripping crumpets, I can see them now. Tiny crisp wedges of toast, and piping-hot, flaky scones. Sandwiches of unknown nature, mysteriously flavored and quite delectable, and that very special gingerbread. Angel cake, that melted in the mouth, and his rather stodgier companion, bursting with peel and raisins. There was enough food there to keep a starving family for a week.

— Daphne du Maurier

Truth was something intangible, unseen, which sometimes we stumbled upon and did not recognize, but was found, and held, and understood only by old people near their death, or sometimes by the very pure, the very young.

— Daphne du Maurier

We can never go back again, that much is certain. The past is still close to us. The things we have tried to forget and put behind us would stir again, and that sense of fear, of furtive unrest, struggling at length to blind unreasoning panic - now mercifully stilled, thank God - might in some manner unforeseen become a living companion as it had before.

— Daphne du Maurier

We can never go back again that much is certain. The past is still too close to us. The things we have tried to forget and put behind us would stir again and that sense of fear of furtive unrest... might in some manner unforeseen become a living companion as it had before.

— Daphne du Maurier

We know one another. This is the present. There is no past and no future. Here I am washing my hands, and the cracked mirror shows me to myself, suspended as it were, in time; this is me, this moment will not pass. And then I open the door and go to the dining-room, where he is sitting waiting for me at a table, and I think how at that moment I have aged, and passed on, how I have advanced one step towards an unknown destiny. We smile, we choose our lunch, we speak of this and that, but - I say to myself-I am not she who left him five minutes ago. She has stayed behind. I am another woman, older, more mature…

— Daphne du Maurier

We've got a bond in common, you and I. We are both alone in the world.

— Daphne du Maurier

When Stephen talked about stalking chamois his whole expression changed. The features became more aquiline, the nose sharpened, the chin narrowed, and his eyes-steel blue - somehow took on the cold brilliance of a northern sky. I am being very frank about my husband. He attracted me at those times, and he repelled me too. This man, I told myself when I first met him, is a perfectionist. And he has no compassion. Gratified like all women who find themselves sought after and desired - a mutual love for Sibelius had been our common ground at our first encounter - after a few weeks in his company I shut my eyes to further judgment, because being with him gave me pleasure. It flattered my self-esteem. The perfectionist, admired by other women, now sought me. Marriage was in every sense a coup. It was only afterward that I knew myself deceived. ("The Chamois")

— Daphne du Maurier

Who can ever affirm, or deny that the houses which have sheltered us as children, or as adults, and our predecessors too, do not have embedded in their walls, one with the dust and cobwebs, one with the overlay of fresh wallpaper and paint, the imprint of what-has-been, the suffering, the joy?

— Daphne du Maurier

Why did dogs make one want to cry? There was something so quiet and hopeless about their sympathy. Jasper, knowing something was wrong, as dogs always do. Trunks being packed. Cars being brought to the door. Dogs standing with drooping tails, dejected eyes. Wandering back to their baskets in the hall when the sound of the car dies away.

— Daphne du Maurier

Women want love to be a novel, men a short story.

— Daphne du Maurier